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Explore a excelência do design de Giuseppe Scapinelli na Galeria Lora Ronco. Descubra a elegância e sofisticação dos móveis produzidos pelo renomado designer italiano. Giuseppe Scapinelli architect and designer An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. Giuseppe Scapinelli Giuseppe Scapinelli 1/1 some publications Scapinelli Livro Mobiliario Moderno Brasileiro Livro Desenho da Utopia Livro Scapinelli Livro 1/3 An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. An Italian-born designer, born in 1891, was simultaneously a furniture manufacturer and retailer in São Paulo during the 1950s and 60s. Trained as an architect, Scapinelli was forced to leave his native Italy after the Second World War in search of new horizons. With an adventurous spirit, he arrived in Brazil in 1948, settled in the city of São Paulo, and began working as an architect for Count Francesco Matarazzo. In 1950 he opened an office and began working as an architect-decorator alongside an excellent team of carpenters, also immigrants. He was a contributor to Casa e Jardim magazine for many years, in a column called Scapinelli Responds, where he even asked in the 1950s, "Why is there so much monotony and bad taste in home decoration?" He opened a very successful furniture and interior design gallery, Margutta, located on Rua Augusta. There, together with carpenters and artisans, he produced high-end furniture. Unfortunately, as the years passed, he was forced to close the gallery because the market increasingly demanded furniture that was manufactured quickly and of lower quality. Therefore, Scapinelli would no longer work there; his commitment to quality and high standards in furniture was too great, and he ended up leaving the sector. Architect, furniture designer, ceramist, photographer, writer, and restaurant owner, that was Giuseppe Scapinelli, yet another Italian-Brazilian to shine as one of the pioneers of furniture design in Brazil. A designer of Italian origin, born in 1891, he was at the same time a furniture maker and retailer 1950s/1960s in São Paulo. His style is easily recognizable because of the curved lines and smooth shapes, a far cry from the main designs of his fellow retailers and probably inspired by 1940s Italian design. His pieces are beautifully crafted in traditional Brazilian wood. He designed and produced many exclusive pieces for different houses in São Paulo. Scapinelli died in 1982. Scapinelli - Cadeiras em caviúna maciça e assento em linho claro - déc. 1950 Anonymous - Oval side table, 1960s design, in solid wood. Scapinelli - Coffee table, 1950s design, solid rosewood and beige marble. Giuseppe Scapinelli - Pair of chairs in solid caviúna wood - Dec. 50 Giuseppe Scapinelli - High stools for bar and counter - solid caviuna wood Giuseppe Scapinelli - Sideboard, console in caviúna wood. Dec. 50 Scapinelli - 1960s design armchairs in solid rosewood with spring seats. Giuseppe Scapinelli - Maracanã side table in solid caviúna wood - 1950s Scapinelli - 1960s design side table in rosewood and ivory wood Scapinelli - Dining table chair, 1950s design - solid caviúna wood Giuseppe Scapinelli - 1950s design armchair in solid rosewood and linen. Pair of side tables in Jacaranda - Scapinelli Bar in wood and formica from the 50s Works by Zanine Caldas that are or have been part of our collection.

A genialidade de José Zanine Caldas na Galeria Lora Ronco. Conheça a obra deste renomado designer brasileiro, cujos móveis ecoam inovação e sustentabilidade. Jose Zanine Caldas landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. José Zanine Caldas na Lora Ronco Galeria O mestre da madeira do móvel moderno Brasileiro Zanine Poltrona Grande Zanine Poltrona 2 José Zanine Caldas na Lora Ronco Galeria O mestre da madeira do móvel moderno Brasileiro 1/5 some publications Zanine Livro Mobiliario Moderno Brasileiro Livro Desenho da Utopia Livro Zanine Livro 1/3 landscape architect, sculptor, model maker and designer landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. landscape architect, sculptor, model maker and designer In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. In April of 1919, in the city of Belmonte, in southern Bahia, José Zanine Caldas was born. Self-taught, he began early, at the age of thirteen, making nativity scenes with his father's syringe boxes, as his father was a doctor. At eighteen he moved to São Paulo and at twenty he opened his own model-making company in Rio de Janeiro, with clients including names like Lucio Costa and Oscar Niemeyer, among others. In 1948 he founded Móveis Artísticos Z, producing furniture with a strong modernist influence for 12 years, leaving the company in the mid-1950s. He joined the faculty of the University of Brasília, even without a degree, as a professor of model making. Years later, he would be recognized by the Brazilian Institute of Architects as an architect honoris causa, receiving this title from Lúcio Costa. He gained international recognition when his work was exhibited at the Louvre Museum in Paris. Zanine knew no limits. He contributed to architecture, design and art, industrial and handcrafted furniture, landscaping and sculptures, among projects for popular and elite housing, as well as research concerning the use and reuse of Brazilian wood. Zanine Caldas - Sculptural armchairs, 1950s design, in marine plywood. Coffee/side table - Zanine Caldas - 1950 Works by Zanine Caldas that are or have been part of our collection.

Lora Ronco Galeria: Compra e Venda de mobiliário moderno brasileiro, móveis autênticos das décadas de 50, 60 e 70, assinados por designers renomados internacionalmente, como: Sérgio Rodrigues, Tenreiro, Jorge Zalszupin, Jean Gillon, Geraldo de Barros, Percival Lafer, Zanine Caldas, Scapinelli, Carlos Hauner, Martin Eisler, Ernesto Hauner, Michel Arnoult e Celina Decorações, Liceu de Artes e Ofícios Agende uma ambientação na sua casa em São Paulo ou uma visita ao nosso galpão. (11) 99122-7578 descubra visite a nova galeria no Conjunto Nacional, em São Paulo Rua Padre João Manuel, 100 - Horsa II - 11º andar Estacionamento disponível no local INÍCIO: Bem-vindo Authentic designer furniture from the 1950s, 60s and 70s. Proudly member of BMDG Our collection showcases the greatest representatives of modern Brazilian collectible furniture design, from immigrants who found peace in Brazil to those born here; all are represented in our gallery. The art of these masters, recognized nationally and internationally, coined relatively recent expressions such as: "signed furniture" and "designer furniture". Our journey began with the desire to own a piece from every renowned designer of mid-century modern Brazilian furniture. Today, with a collection of over 800 pieces, we celebrate essential names in our modernist culture: Geraldo de Barros - Unilabor and Hobjeto Carlo Hauner & Martin Eisler - Forma Percival Lafer - Lafer Jean Gillon - Woodart and Italma Michel Arnoult - Mobília Contemporânea Ernesto Hauner - Mobilínea Joaquim Tenreiro Sérgio Rodrigues - OCA and Meia Pataca Jorge Zalszupin - L'Atelier Giuseppe Scapinelli Zanine Caldas - Artistic Furniture Z Abraham Palatnik Celina Decorações Novo Rumo Liceu de Artes e Ofícios Móveis Tepperman Móveis Cimo Dominici Follow-us on Instagram @loraroncogaleria Load more Lora Ronco Galeria no Conjunto Nacional Lora Ronco Galeria no Conjunto Nacional SP-Arte 2026 Lora Ronco Galeria no Conjunto Nacional 1/15 continue explorando ver o acervo VIEW COLLECTION conhecer a galeria VIEW COLLECTION